Peter Nigrini
Hell's Kitchen

Hell's Kitchen

Broadway

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© Joan Marcus

Upcoming Projects

  • Hell's KitchenBroadway
  • LempickaBroadway
  • The Who's TommyBroadway
The Who's Tommy

The Who's Tommy

Broadway

© Matthew Murphy & Evan Zimmerman

Recent Projects

  • Deep Blue SeaBill T. Jones / Park Avenue Armory
  • Dear Evan HansenBroadway
  • A Doll's House, Part 2Broadway
  • Hans Zimmer LiveWorld Tour
  • MJ: The MusicalBroadway
  • Ain't Too ProudBroadway
  • Grace Jones — HurricaneWorld Tour
  • KPOPBroadway
  • BeetlejuiceBroadway
  • Real EnemiesB.A.M. / National Tour
  • Lucia di LammermoorSanta Fe Opera
  • Here Lies LoveBroadway
MJ: The Musical

MJ: The Musical

Broadway

© Matthew Murphy

“You'll leave the Neil Simon Theatre...on a giddy high...” — Rolling Stone
Hans Zimmer Live

Hans Zimmer Live

European Tour 2022

© Lindsay Cave

“Relentlessly spectacular.” — Express UK
Deep Blue Sea

Deep Blue Sea

The Park Avenue Armory

© Sara Krulwich / The New York Times

“...visually and sonically stunning.” — The New York Times
Ain't Too Proud

Ain't Too Proud

Broadway

© Sara Krulwich / The New York Times

“Time and again, projection designer Peter Nigrini flashes the name of that municipality across the back of the Imperial stage. From the evidence of the marvelous “Ain't Too Proud,” the letters that spell “Detroit” can never be written big enough.” — The Washington Post
Beetlejuice

Beetlejuice

Broadway

© Matthew Murphy

“A jaw-dropping fun house...” — The New York Times
The SpongeBob Musical

The SpongeBob Musical

Broadway

© Marc J. Franklin / Playbill

Dear Evan Hansen

Dear Evan Hansen

Broadway

© Matthew Murphy

“Peter Nigrini's projections ... [evoke] the sometimes treacherous, sometimes buoying virtual waters in which high-schoolers swim.” — The New York Times
Here Lies Love

Here Lies Love

Broadway • London

© Joan Marcus

Peter Nigrini has designed on Broadway for MJ: The Musical, Beetlejuice, Ain't Too Proud, The SpongeBob Musical, Dear Evan Hansen, A Doll's House, Part 2, Amélie, An Act of God, The Heidi Chronicles, The Best Man, Fela!, 9 to 5 and Say Goodnight Gracie. Other designs include: Grounded (The Public Theater), Here Lies Love (The Public Theater / Royal National Theatre-London), Wakey, Wakey (Signature Theater), Real Enemies (BAM), Don Giovanni and Lucia di Lammermoor (Santa Fe Opera), Fetch Clay, Make Man (New York Theater Workshop; McCarter Theatre Center), The Elaborate Entrance of Chad Deity (2nd Stage Theatre, Geffen Playhouse, Dallas Theatre Center), Notes from Underground (Yale Rep, La Jolla Playhouse, Theater for a New Audience), Grace Jones' Hurricane Tour (Hollywood Bowl, Hammerstein Ballroom), Rent (New World Stages), Elsewhere (BAM), Haroun and the Sea of Stories (New York City Opera), Blind Date (Bill T. Jones/Arnie Zane Dance) and The Orphan of Zhao (Lincoln Center Festival). Peter is a founding member of the Obie award-winning theater company, Nature Theater of Oklahoma, for which he has designed scenery, costumes, lighting and projection for No Dice (Soho Rep), Romeo and Juliet (Salzburger Festspiele) and Life and Times (Burgtheater, Vienna) among others. Awards include the first ever Drama Desk for Outstanding Projection Design and the 2013 Hewes Design Award for Here Lies Love, a Special Lortel Award for Grounded and two Tony nominations.

Real Enemies

Real Enemies

Brooklyn Academy of Music • National Tour

© Noah Stern Weber

“[Real Enemies'] deftly inextricable play of image, text and sound suggests something close to a perfect collaboration.” — The New York Times
Grounded

Grounded

Public Theater (NYC)

© Joan Marcus

“Peter Nigrini's video keeps the story vivid and the pace brisk, with Hathaway enveloped by a full-floor sonogram, or zipping along the Interstate in the move to Vegas, or wrapped in a kaleidoscope of neon once she gets there.” — Hollywood Reporter
Fela!

Fela!

Broadway • London • Lagos

© Monique Carboni

Video Clips

Notes From the Underground

Notes From the Underground

Yale Rep

© Mark Barton

“Video projections are all the rage these days in theater. But rarely have I seen the technology as illuminatingly used as it is in the opening scene here.” — The New York Times
Grace Jones — Hurricane

Grace Jones — Hurricane

World Tour

Contact

Representation: Patrick Herold, UTA
patrick.herold@unitedtalent.com